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Dyslexie is a typeface designed by Christian Boer to help dyslexics, using letterforms that are “more bold so that gravity turns the letters the right way up.” The idea that a font can correct something in the mind is an interesting one; we all know the effects of bad typography. What if what we’ve needed all this time to solve illiteracy and dyslexia is some kind of super-typeface? Dyslexie has yet to really sell the world on its literacy-enhancing... CONTINUE READING
“This has no foundation to it, it just appears,” said Alan Kitching, holding up an elegant poster near the podium where he spoke. He was talking about the type on the poster, which had been set, like almost everything in the last twenty years, on a computer. Kitching spoke as part of Monotype’s Pencils to Pixels series—a lecture series which talked about the history and future of graphic design, although he said in referring to his work, “Pencils to... CONTINUE READING
Although the shapes and glyphs of the characters are different from what we are using today, there is a reason for this change that we will discuss later, in the Calligraphy and Printing section of the article. The art of calligraphy is not limited to handwriting and written communication in letters, but it has extended to become a branch of creative artwork that modern artists use to express their talent and ideas, such as street art, graffiti, tattoo, body... CONTINUE READING
But as Medusa evolved Espinoza moved beyond his original inspiration, adding elements such as redrawn ornate capitals, swashes and ligatures and a set of small caps “carefully designed to produce an all-cap setting that is stylistically harmonious with the classic copperplate script,…” As Espinoza explained in our interview, certain facets of calligraphic typefaces that lend them their beauty and grace can be compromised in the translation from calligraphy to typography, a fact that Espinoza was particularly mindful of in... CONTINUE READING
Business Cards The days of being locked into the typical 3.5” x 2” horizontal business card are pretty much over. Sure, there’s still a bunch of them out there, but graphic designers have learned to spread their wings and take a few risks when it comes to card design. Vertical designs, die-cuts and embossing are often used to separate a company, independent professional or freelancer from the rest of the pack. Others opt for unique materials, CD business cards... CONTINUE READING
An essential part of being a professional designer is delivering a great message that connects with people. This is nearly impossible if no one can read it, or the message isn’t clear. That is why knowing and understanding typography is important for any professional designer. To understand typography, you have to understand typefaces and the parts and pieces they are made up of. Anatomy To understand typefaces and how to classify them, you have to understand the terminology of... CONTINUE READING
Adobe has released Source Sans Pro, its first open source font family. The font is also being added to Typekit and Google Web Fonts to be freely available for use by web developers. Paul D. Hunt, the font’s designer, announced the arrival of Source Sans Pro on Adobe Typblography and attributes his inspiration partly to the Gothic fonts of Morris Fueller Benton, a prolific American type designer responsible for typefaces such as Goudy Old Style, Franklin Gothic and Bodoni.... CONTINUE READING
Everyday I drive past a terribly offensive sign. It reads “Shaner’s.” The name of the business hardly offends me. It’s the prime mark holding the space where a smart (curly) apostrophe should be that sets me over the edge. It drives me absolutely crazy and got me to thinking. How much time do designers spend on choosing the best colors for a design job? Picking the perfect picture? Choosing the right font? Most designers agonize over these decisions. Of... CONTINUE READING
London based typographic designer Dalton Maag has set up an exciting new font for Nokia that works globally and across any language. ‘Nokia Pure’ is part of the rebranding process of the Finnish company that amassed more than $48 billion in revenue in 2011. Despite this, due to the vast competition in what has become the world of the smartphone, Nokia’s market shares have in fact diminished. Therefore, this unique selling point is seen as the breakthrough needed to... CONTINUE READING
A new logo and tagline was released for the new One World Trade Center (originally Freedom Tower) designed by Wordsearch and presented by the Durst Organization and Cushman & Wakefield. The Durst Organization is working with The Port-Authority to help complete the massive project and Cushman & Wakefield is the commercial real estate broker in charge of filling the tower with tenants. The new brand is an effort to create a new feel for the building and to help... CONTINUE READING